MOVIE
REVIEW
Minority
Report
by:
Derek Kwan
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Based on a short story by Sci-Fi writer Philip K. Dick, Minority
Report has been met with mixed reviews. Perhaps this is due
to the hodge-podge of both good and bad elements that curiously
make up the whole.

The plot has a good premise, albeit taken from someone else's
story. The idea of a not-too-distant future where law-enforcement
predicts your crimes before you commit them is both intriguing
and frightening. The imaginative, futuristic sets and good
special effects are Speilberg trademarks, but unfortunately,
so are hand-fed plot revelations and sugar-coated and predictable
endings.

A pre-crime unit established in 2054 Washington D.C. utilizes
nightmarish premonitions from three 'Pre-Cogs' to predict
murders. If one 'Pre-Cog' sees something the other two do
not, then a 'Minority Report' is produced (hence, the title).

Wooden balls with the victim and perpetrator's names are
sent through an elaborate looking bubble gum dispenser, and
Cruise then glues together the visions' scattered pieces on
a giant screen like a symphony composer on speed. After the
crime is predicted, Jet-pack riding super-cops are dispatched
to the scene to make an arrest, hopefully before tragedy strikes.
"The system is perfect." But this Ashcroft-ian utopia comes
crumbling down when someone sets up our diminutive star, accusing
him of the future murder of a man he's never even met. At
this point, the movie boils down to a meandering, one-hour
chase scene where the moviegoer is asked to suspend belief
on several occasions.

The audience will often find themselves scratching their
heads and wondering why characters, when presented with an
obstacle, would react in such a counter-productive and asinine
manner. Better to pretend it didn't happen, as unresolved
frustration never helped anyone. The obvious plot holes and
often silly events could be overlooked if perhaps the cast
had rioted and performed a different ending than the one that
was scripted. But that would be ridiculous.
If you walk out on this movie before plot point III, perhaps
you will come away with some satisfaction. But if you would
like to witness the comedy, as I did, of one single person
clapping at the credits while the rest of the audience laughs
at him, by all means stay to the end.
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